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When you need something to be entirely black, look at the data in Adobe Photoshop Lightroom or Photoshop and see how it will show up on different screens or in physical media. “It helps to look at the histogram and make sure those blacks are really black.” Don’t just trust your eyes. On your screen it may look dark, but if your screen isn’t calibrated right, it won’t be this nice, iconic picture of a person,” says Carlson. “Especially with silhouettes.” Combine images or blacking out subjects so they look more properly silhouetted.Įven if you don’t change anything, though, it’s important to double-check. “Yes, we all want to shoot everything perfect in camera, but Adobe is in business because we don’t,” says Carlson. You’ll often need to touch up a few things, especially around the edges of the silhouette. “The image can be ruined if the highlights are all blown out,” says Budd. Still, even a properly exposed silhouette can look murky or blurred around the edges. With silhouette photography, combining different images of the background and subject can yield the bright background and dark subject you’re looking for. Bracketing in photography refers to taking several pictures of the same subject with different camera settings. Sometimes the best way to get an image of a perfectly dark silhouette and bright background is to combine two images or to correct an image in post-production.
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